Sunday, December 29, 2013

Fit Bodies Flabby Minds: A New Year's Resolution to Get Our Minds in Shape!

     The distinguished British Sociologist declared to the American audience, "Your bodies may be in good shape but your minds are fat." He went on to describe how for decades Americans have stressed getting in better shape and losing weight while almost totally disregarding the growth of our intellect. The simple fact is that for many Americans January 1st will consist of various resolutions for the New Year of 2014 that will include eating better, getting in shape, stopping smoking, drinking less, traveling more, and saving more money.
     Go ahead and make your resolutions for a better you, but let's get that mind in shape also. Make plans for a brighter, smarter, and happier you, by strengthening that mental muscle. By reading the right books your mental abilities can improve by the day. Your brainpower can improve and your reasoning faculties can get sharper and sharper with each brain powered work out. As with any physical regime, your mental workouts do not have to be all pain. Let's find some books that refresh, delight, and encourage. Let's also read those books that challenge, push, stretch, and move you to the next level. When I was a child, I only read comic books. When we are babies we only eat baby food. As we mature we eat adult food. We should all read things we enjoy; those lighter less demanding books.  These should be thought of as our reading carbs (essential, but not exclusive). We should also read those books that are above us and beyond us--those books that cause us to grow. We can think of these as the high-protein books for the brain.
     I'm calling for a lifestyle change. A few years ago a friend asked me how I read so much and I told him that since I don't watch more than a few hours of TV a week and I spend only a few hours in front of the computer or on my tablet, I have a lot of free time to read. In addition to spending about forty-five minutes a day on my physical exercise, I try to spend double that time on my mind. There are plenty of great books to read and we all need some help and encouragement to build up those mental muscles. Reach out to a reading group or a "book coach" who can help you resolve to be the reader in 2014 that you were not in 2013. You can do it! Feel the burn! Melt off the flab! Stretch! Reach! Go, go, go!

Tuesday, December 17, 2013

Why Ray Bradbury Loved Charles Dickens' A Christmas Carol

     On more than one occasion, the great American writer Ray Bradbury was asked about his favorite books. While the answer varied, he most frequently spoke of Charles Dickens's A Christmas Carol. For those who know and love the writings of Ray Bradbury, it makes perfect sense this was a favorite of his. The theme of really living is vibrant in many Bradbury works. So it is no surprise that Bradbury spoke with great excitement about the scene in A Christmas Carol where the culminating visits of the ghosts moves Ebeneezer, when he realizes that he has another chance, to declare, I will live in the Past, the Present, and the Future!  The Spirits of all Three shall strive within me.
     As good as the many movie versions may be, there is a texture in the story that is simply missed in the visual interpretations. In this interview (toward the end of his life) Ray Bradbury speaks about his love of this great Christmas story that is a call to live life. While Bradbury says that his own The Halloween Tree is an homage to A Christmas Carol, his short story The Gift is a nice Christmas seasonal tale. You can also read Bradbury's Jack In The Box for a Bradburian twist of the declaration, "I'm alive."

NEXT BLOG: Resolving to Read More in 2014

Tuesday, December 10, 2013

The Pleasures of Reading: A Very Fine Guide to Reading from Professor Jacobs

     Readers of all levels and types all need help at some point in the adventures of readings. Sometimes the assistance comes in the form of encouragement and sometimes in the guise of insightful instruction. The book by Dr. Alan Jacobs is a book that is both a running encouragement and is rich with instructional insights on how to be a better reader.
     Of all the motivations given, Jacobs places one above all others and that is “read at whim,” (15, 33, 41) and related to this makes the case for reading for pleasure and delight (10, 23). Additionally, Jacobs notes the real value of marking books well (61, 64) and rereading books (16, 128-129).
     There are treats throughout this book, especially for the bibliovore. A fine tip is what Jacobs calls “reading upstream” (43-50). This is akin to the ad fonts call of the Renaissance Humanists. It is a call to read what the authors read and the works that influenced them. In a few places Jacobs gives different admonitions, such as the need for “deep attention” (105) with some works and the value of “skimming well” (111) with others. Numerous insights into the nature of reading the Great Books or classics are throughout (23) and most important is that these are more demanding works that both require more patience and may assist in the cultivation of more patience. Anecdotes and illustrations from brain research (29, 103) to the indescribable “magic” of reading (34) abound in this fine little volume.
     My only minor disagreement with Jacobs is his read of Adler’s How to Read a Book (3, 43, 97-103). It struck me that more than once Jacobs even sounds like Adler, especially when he describes what reading difficult books can do for us (50). Like Adler and Kreeft, Jacobs calls us to be an active reader who respectfully questions what is being read (55, 56, 65). Jacobs is a superlative guide because it is clear that he loves reading and is passionate about assisting others with reading. This passion translates well into ongoing enabling encouragement. Alan Jacobs manifests a marvelous blend of being gracious, wise, humble, (54) and highly competent as a helper. Whether he is talking about reading on a Kindle, (63-67) discussing his favorite books, or showing his own indebtedness to Hugh of St. Victor, (90-97) Jacobs is Virgilian in his faithfulness to all of us who journey in the bookish worlds we inhabit and inhabit us.

NEXT BLOG: Why Ray Bradbury Loved A Christmas Carol.

Tuesday, November 26, 2013

Homer's Iliad: Some Translations of this Great Masterpiece

     Like many other lovers of the Great Books, I yield to the truth that Homer's epics are the magnificent fountain that gave birth to western imagination. Having tasted deeply from the fountains that brought forth later literary waters, it is always refreshing to return to the beginning.
    There are a number of fine translations of Homer's Iliad that are accessible and enjoyable. Anthony Verity's Iliad is lyrical without being poetic, and he does not even pretend to sustain the meter of the original (xxix). The mark by which all other translations have been compared is Richmond Lattimore's Iliad.  In truth, when read aloud, closely imitating the demanding dactylic hexameter and providing the "speed and rhythm analogous" of the original (67), it sings like the Muse. The noble power, force, and flow of Lattimore's translation crushes most others.  
     To be fair, most of the basic introductory material can be found in most introductions and is usually best read after one has read the work. Martin offers some helpful treatment of pace and scope of the literary world (43, 44), character speech (45), the art of the simile (47), and type scenes (49). Graziosi provides one insightful comment about the Muses (xv).  Aside from what was just noted, the respective introductions written by Barbara Grazioso and Richard Martin (who also wrote the introduction for Stanley Lombardo's translation) add little to a reader's experience of the work.      
     I will confess that I tend to read poetry out loud to get the full enjoyment of the vocal and aural connection. I will also confess that I have used, and partly appreciate, what Lombardo does in his more paraphrastic translation. One finds when teaching such grand works to the modern mind, one goes to strange measures to get students to pay attention.
     Beyond a fine translation of the Iliad, I would encourage all those who love reading accessible scholarship to have Eva Brann's Homeric Moments: Clues to Delight in Reading the Odyssey and the Iliad.  While more attention is dedicated to careful reading of the Odyssey, Brann so exemplifies what careful reading looks like that she is a superlative guide.
     Now, for the really serious reader who wants to take that major step toward reading Homer in the original, a great place to begin is Homeric Greek: A Book for Beginners by Clyde Pharr, A Lexicon of Homeric Dialectic by Richard John Cunliffe, and A Homeric Dictionary by Georg Autenrieth.

Translations mentined (and a few not) in this blog that are good:
Richmond Lattimore
Robert Fagles 
Stanley Lombardo
Stephen Mitchell

NEXT BLOG: A Wordle on Why Read?

Thursday, November 14, 2013

Virginia Woolf's On How to Read a Book: Great Help and A Few Surprises

     What do you get when a first rate novelist helps us understand how to read a book, that is any book? You get a fine essay that offers numerous helpful hints. In this important, but short essay, Virginia Woolf (1882-1941) serves as a most helpful guide. While many would tout her experience as a novelist, it is also clear she was a keen and avid reader. 
     There are several delightful tips she offers, and a few surprises. Being the passionate persona and author she was, it does not catch us off guard that Woolf affirms "we learn by emotions." Later, when writing of poetry she states, that "the intensity of poetry covers an immense range of emotion." We should not see in Woolf a mere romantic when it comes to literature. 
     Early in the essay, Woolf says, that a reader ought not to make judgments, but in another part of the essay we are encouraged to make judgments. This is not a contradiction as we learn that Woolf is describing our relationship to a reading. At first, we need to suspend certain judgments (remember you can't always judge a book by its cover) and she describes it as a movement from being "friend to being judge." 
     Another surprise is that Woolf tells us, that "the only advice, indeed, that one person could give another about reading is to take no advice, to follow your own instincts, to use your own reason, to come to your own conclusions." This is a case where she does not follow through, as she does give some advice, and it is helpful. It may be that she is arguing that one person cannot dictate the literary tastes of another, but she does advise that "we can train our taste." It is clear from this essay that Woolf is nudging us to elevate those taste to the finer works of literature, philosophy, biography, and history. 
     As Woolf offers some specifics on being a good reader, she notes that "to read a novel is a difficult and complex art." Clearly she is talking about the sort of reading, reading in a rich and meaningful manner that is demanding, but rewarding. The kind of reading she is describing is not mere surface reading of shallow books. This kind of reading implies certain guiding principles. We need to have certain expectations.

     Showing that she is assisting the reader to become more discriminating and mindful, Woolf says, "thus, with our taste to guide us, we shall venture beyond the particular book in search of qualities that group books together; we shall give them names and thus frame a rule that brings order into our perceptions...let us compare each book with the greatest of its kind."
     In my favorite part of the essay, Woolf powerfully describes the soul of the avid reader, the internal disposition of the reader who is affected by all types of books, "when it has fed greedily and lavishly upon books of all sorts–poetry, fiction, history, biography–and has stopped reading and looked for long spaces upon the variety, the incongruity of the living world, we shall find that it is changing a little; it is not so greedy, it is more reflective."
     One of the simplest suggestions for more effective reading, and yet, one that is often forgotten is (regardless of the reading) the practice of comparing each part of the reading with the reading as a whole. It is very similar to building a puzzle and seeing how each piece fits into the adjoining pieces and how each particular piece is an essential part of the whole. 
     Lest anyone think that Woolf was a bookworm and stayed shut-up in libraries reading all the time, we receive a grand insight from her about the relationship between books and life, life and books. "Is there not an open window on the right hand of the bookcase? How delightful to stop reading and look out! How stimulating the scene is, in its unconsciousness, its a relevance, its perpetual movement–the colts galloping around the field, the woman filling her pail at the well, the donkey throwing back his head and emitting his long acrid, moan. The greater part of any library is nothing but the record of such fleeting moments in the lives of men, women, and donkeys."
     Among the many delightful insights, Woolf states books, "are only able to help us if we come to them laden with questions and suggestions one honestly in the course of our own reading." No doubt that this is part of what separates bad readers from good readers and great ones from good ones. The best books that require some effort and offer much do indeed call for robust reading and a helpful guide.

NEXT BLOG: Great Translations of Homer's Iliad

Monday, November 4, 2013

A Reading Bucket List

    It seems that the phrase "bucket list" is hanging around. I will hear folks of all ages mention adding something to the bucket list. Reading Stringfellow Barr's Voices That Endured: The Great Books and the Active Life, it dawned on me that people should have a "Reading Bucket List." Everyone should make a list of those very important books that they really want to read before they die. The wonderful thing about a list like that is that people do not have to make elaborate plans or dip deep into the savings account to see this list unfold.
     Barr insightfully divides his reading list book into three categories: (1) Books that picture humans working, choosing, and acting, such as poems and novels. (2) Books that seek to know the nature of things such as mathematical and scientific works, (3) Books that deal with what humans ought to do, such as works of ethics, politics, and economics. These three categories show how very practical and relevant are these great books.
     Stringfellow Barr is the genius behind St. John's College where everyone studies primarily the great books for four years. The reality is that only a handful of people will ever have the opportunity to study the great books in a college or university setting. That is just fine. Mortimer Adler has spoken about "the poor man's Harvard education." It is a fact that if you set out to read ten, twenty, or one hundred of the most important books ever written, you would learn more than many college graduates learn. If you are a college student, do not let college get in the way of an excellent education. Make your bucket list now and start reading, learning, growing and get the best sort of education.
     Why would anyone ever set out to read the Great Books? Stringfellow Barr says, that when it gets right down to it that the things that really pass through our sleepless minds and haunt our dreams are the thoughts about how we have wronged friends. We also are seeking courage to face the next hurdle in life. We humans constantly grapple with loss, fears, frustration, guilt, shame, happiness, joy, resentment, despair, and hope. These are the themes of the great books and partly what makes them great. An active life is a reading life. A life that looks to the works that have shaped many who have come before us and will come after us.
     I love reading and I really love reading with others. Talking about books, ideas, and the sheer delights of reading is one of the finest of human pleasures. Whether I am conversing with students in a class, my wife at breakfast, or people online with Google Helpouts, it is a joy to talk about books and the ways they enrich our lives.
     In these blogs, I will explore the great books of literature, philosophy, history, science, mathematics, and social science. I am not alone. I have guides like Stringfellow Barr, Mortimer Adler, Robert Hutchins, Alan Jacobs, Os Guinness, Virginia Woolf, Matthew Arnold, Sainte-Beuve, Percy Shelley, Samuel Johnson, T.S. Eliot, C.S. Lewis, and many others. In addition to reading and offering thoughts and questions, I will also give lots and lots of tips on wisely reading all sorts of things. I invite you to join me in this making of a bucket reading list and participate in the active life of reading the great books.

NEXT BLOG: Virginia Woolf's How Should One Read a Book?
   

Thursday, October 31, 2013

Why Ray Bradbury's Dandelion Wine Is a Great Book


     Following the same format as the other blogs striving to make the case to draw select works of Ray Bradbury into the Great Books canon, I remind the reader that on numerous occasions, Mortimer Adler wrote about the criteria that was used to determine which books of all the books written in the West would be placed within The Great Books of the Western World.  Contrary to confusion and many misstatements I've read over the years, Adler says it was essentially three criteria and they are as follows:
1) Contemporary significance - Even though historically valuable, these works address “issues, problems, or facets of human life that are of major concern to us today as well as at the time in which they were written.”
2) Rereadability - These are books “intended for the general reader that are worth reading carefully many times or studying over and over again...indefinitely rereadable for pleasure and profit.”
As I have confessed before in blogs and lectures, I re-read Dandelion Wine every year around the beginning of summer. This has become my habit for the past several years, and it is with ongoing pleasure and intellectual profit that I have done this. In truth, this work is rich in content and form and has enough meaningful ambiguity to sustain numerous readings and a enriching conversation. Additionally, among others that I have discussed this work with on a graduate level, they unanimously agree that it calls them to remember moments from their own childhood.
3) Extensive relevance and something of significance to say about a large number of the 102 great ideas of the thinking and writing done by the authors chosen.
Of the 102 Great Ideas Adler explored, Dandelion Wine touches upon or explores in a meaningful manner the following: Beauty, Being, Cause, Chance, Change, Citizen, Courage, Custom and Convention, Democracy, Desire, Duty, Education, Emotion, Eternity, Experience, Family, Fate, God, Good and Evil, Government, Habit, Happiness, History, Honor, Idea, Immortality, Judgment, Justice, Knowledge, Language, Life and Death, Love, Man, Mechanics, Memory and Imagination, Metaphysics, Mind, Nature, Opinion, Opposition, Philosophy, Pleasure and Pain, Progress, Prudence, Punishment, Quality, Reasoning, Relation, Religion, Sense, Sign and Symbol, Sin, Soul, Temperance, Time, Truth, Virtue and Vice, War and Peace, Will, Wisdom, and World.
Additionally, Adler said that the list of Great Books needed to be regularly reevaluated. With this in mind, I hope that I have made the case for including this novel by Ray Bradbury and including it in the open and extended list Adler proposed.
As with other Bradbury writings, there is often an earlier life or version before the published date. While Dandelion Wine was published in 19 (50 years ago and still in print), there were earlier kernel versions in short stories - "The Electrocution" 1946, "The Black Ferris" 1948, a screen play entitled "Dark Carnival" 1955, another screen play "The Marked Bullet" 1956, as well as an unpublished first-person novel Jamie and Me.
     Dandelion Wine should be read as a companion story to Something Wicked This Way Comes .  Even Bradbury clustered these two stories with Farewell Summer and called these the Illinois trilogy.  
     Whether read as a nostalgic tale of days lost, or a reflection on the wonder of being human and living fully, this is a novel that should be rescued from the middle school reading list and the bin of literary obscurity and given due attention.  Beyond being a masterfully crafted exploration of numerous humane themes, it is a delightful, at times, but ultimately a profound affirmation of being alive.

Sunday, August 25, 2013

Humanities As A Way of Knowing

     For years, I would begin my Introduction to Humanities course by trying to clear up some muddled ideas about the term Humanities. Of course, most of my students did not get the weightiness of the lecture. For them, Introduction to Humanities was merely a course in the core that was an academic requirement. In a most impassioned manner, the goal was to get the students to apprehend that the humanities was not really a discipline or set of disciplines, but a way of knowing. When fully embraced, the humanities could be a way of living and being. To provide a reference point of historical import, they would hear me implore, that "the humanities" more so than anything else they would experience at the university, would assist them in the plight to "know thyself," and if embraced as a way of knowing and understanding, would assist in the great good of seeking and obtaining wisdom.
    Mortimer Adler, in A Guidebook to Learning powerfully stated, "The word 'humanities' should not be used, as it is now generally used in our universities and colleges, and even our high schools, to stand for particular set of subject matters. Rather it should be used as José Ortega y Gasset used it in his Revolt of the Masses, published in 1930.  This is the book which so eloquently denigrates the barbarism of specialization in the twentieth century, the cultural malady that only the humanities, properly understood can alleviate." (87)
    The modern academy, seems to have few, if any once esteemed professors of humane letters serving as the amiable generalist guide toward the good, the true, and the beautiful. So, the privileged medieval college faculty, in contract to the impoverished modern college faculty, "might, therefore, have been more appropriately called the philosophical faculty or even, perhaps the faculty of the humanities or of humane letters. But once again we must guard against the current use of these terms by remembering that the Latin word "humanitas," translating the Greek word "paideia," signifies general as opposed to specialized learning. Thus understood, it includes all branches of learning, not just those that remain after we have named the various sciences, natural and social." (20, Adler)
    Of course the university catalog, campus chatter, academic advisers and common misuse identifies the humanities as a cluster of disciplines. It has always been difficult when answering the question, "so what is a PhD in Humanities" or the most troubling, "what does one do with a Humanities degree?" Of recent years, I simply answer, "be more human" when asked about the utilitarian role of a humanities degree and "the most misunderstood and least lived education" to the question of what a PhD in Humanities actually is. Adler, assists again on these matters, but the question of being able to hear what is said seems more pressing today. "The word "humanities" or the phrase "humanistic learning" should stand for a generalist approach to all departments of knowledge as against a specialist competence in this or that particular branch of knowledge. It is accordingly incorrect and misleading to identify the humanities with the branches or departments of knowledge that remain after the various natural and social sciences have been enumerated." (86)
   Much has happened since Adler published these ideas twenty-seven years ago. My own students, having specialists in other departments who neither understand, nor care about such learning, and some who openly berate the impracticalities of the humanities, sway these students toward the mundane, imminently useful, and servile. Adler and other historians of education have observed, "The faculty of arts represented general as opposed to specialized learning, and learning for its own sake rather than for its useful application to some field of practice or action. This faculty consisted of teachers who bore the title Master of Arts. The students they succeeded in initiating into the world of learning or certified as Bachelors of Arts." (20)
  The modern university characterized by the narcissistic consumerist smorgasbord approach to life and our general contemporary ethos fully shaped by the triumph of the therapeutic, offers less and less in terms of the permanent things and more and more in terms of the momentarily relevant. It really is difficult to imagine that, "when universities came into being in the twelfth and thirteenth centuries, in Padua and Paris, in Oxford and Cambridge, the main divisions of learning were manifest in the four faculties that constituted them. One of these was the faculty of arts. The other three were the professional faculties of medicine, law, and theology." (19) Adler elaborates in a manner that shows another stark difference between the original university and its very different decedent.  Even with the value attached to the older faculties of medicine, law, and theology, "the latter, in the order named, corresponded to practical concerns of less and greater importance: the care of the body, the conduct of life and society, and the salvation of the soul. In referring to these three areas of concern as practical, I am calling attention to the fact that men who became doctors of medicine, of law, and theology were not only men of learning, but also the practitioners of learned professions." (19, Adler) This loss has no doubt contributed to diminished loss of the presence of the fully educated and truly humane in medicine, law, and even theology.
    In that opening lecture I aspired to provide a touch of history of select terms and give the philosophical roots to the liberal arts that could free, even today's students from a life of slavery spent spelunking in the cave of ignorance, trivialities, and the merely menial. Employing the best of ancient rhetoric  the students would hear that the humanities, when truly encountered, "signifies the general learning that should be in the possession of every human being – learning that embraces or includes all the ways of knowing...." (86)
   As the semester moved along, some came to understand that their poor humanities professor was a wayfarer without a sense of place, including even in the very academy that used to foster such persons. More than once I confessed, and sometimes apologized (due to the moment) for being a generalist. In modern parlance, being a "jack of all trades, and ace of none" is an academic professional hazard. For these young people who had as their "reason for being" to become an expert or specialist in some trade that would get them a paycheck, the gap grew greater with every passing lecture. Even when informed of the value of the humanities and that, "in the meaning of the word "humanities" or "humanistic" ...that preserves its original significance as it comes down to us from antiquity and the Middle Ages, any subject that is approached in the manner of the generalist belongs to the humanities or is humanistically approached. The subject that is studied in the manner of the specialist does not belong there," (87) they seemed unimpressed.
    Adler, toward the end of his guidebook, observes, "At the beginning of the century William James anticipated Ortega's insight. He pointed out that any subject can be seen in a humanistic light by being approached historically or philosophically." (87) Neil Postman says nearly the exact same thing in his book Technopoly: The Surrender of Culture to Technology and offers a prescription to remedy some of the ills facing modern education by suggesting that all disciplines should be approached historically and philosophically.  It is most certainly true that this approach of history and philosophy of all disciplines would go toward correcting many of the perversions and distortions found whether it be in the field of astronomy, biology, through physics and zoology.
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All quotations taken from Mortimer Adler's, A Guidebook to Learning.

Sunday, August 18, 2013

A Case for the Quaint: Mortimer Adler and The Great Ideas Program

     Studying and leading conversations on the Great Books for more than twenty years still produces that sense of awe and wonder, especially when I discover a new tool to aide in the exploration of wisdom.  Unfortunately, this excitement is often curtailed when I engage many of those within the academy. Once, an educationist from our Education Department, with arms folded humphed at me the term "perennialist" which he meant pejoratively, but which I heard as praise. More than once, I have seen the term "quaint" applied to what we do in our Great Books based programs. Of course, the secularists and dehumanized masses deem these writings down right dangerous. It is the notion of being quaint that I seek to ponder for a bit.
     The term quaint, like perennialist, traditional, and related terms are often uttered with contempt today, but these terms have meaning that call for reconsideration. While quaint can be used in a dismissive manner, quaint can also mean attractively unusual or charmingly odd. Spending a bit more time with quaint, we discover that this word's history has good company and was associated with cunning, well-informed, knowledgeable, clever, elaborate, skillful and even old-fashioned but charming. With this in mind, I share with you, some parts of a quaint tool that accompanied The Great Ideas Program first published in 1959. Keep in mind that the booklet, The Great Ideas Program Family Participation Plan for Reading the Great Books of the Western World, was published in that same 1959. As I read this I kept thinking how far we have "progressed" regarding education and the family in the past fifty some years.   
     Entitled "A confidential memorandum" from Robert Hutchins to parents "regarding being educated by your children," the words in this "memorandum" are most assuredly quaint. "Yours is a literate home because you are a literate people. And you are literate people not only because you read great books, but also because you are interested in great ideas. Literacy  of course, involves far more than merely the ability to read and write. Many people are not literate, in the full sense of the word, who can read and write very well. The kind of literacy that means something, however, is the kind that produces intelligent thought and action. 
     It is this kind of literacy that you want your children to have. Unfortunately, their chances of acquiring it in the school today are small and may become smaller if schools become more narrowly technical and vocational. 
     This is one of the prime reasons for your ownership of Great Books and your enrollment in the Great Ideas Program. Certainly other sets of books are decorative, and you might have purchased them. But you didn't buy just books. Instead you bought a family home education program that will effectively help you to have a literate home environment for the care and formation of literate children. 
     This first memorandum was followed by "a very confidential memorandum" to the children in this family, also from Robert Maynard Hutchins. "This is a conspiracy to get you to do some reading and thinking. It is based on the assumption that you believe you don't like books, and this assumption is false. You may not like the books that you have been given to read. They are mostly textbooks, and often textbooks are not good books. As yet you probably haven't had a chance to learn how interesting good books can be.
     Your parents are now enrolled in the Great Ideas Program and are proud owners of the Great Books – the best books ever written. They have every intention of reading them. (They read some of them when they were your age, and one of the sure signs of a great book is that one who has read it wants to reread it.) The trouble is that your parents may insist that they have no time. You can help them by making them take time to read these books. Of course you must play a trick on them, for the way to help is to make them read and discuss the books with you. This is the kind of program that you will enjoy participating in, and these are the kind of books you will enjoy reading. Also, this Plan and its accompanying Personal Consultation Service will answer practically any questions your parents may ask that you can't answer. Don't be afraid to use the services. 
     One thing is sure. These are readings that you will benefit from all the rest of your lives – just as young people have done for hundreds of years before you. These are not the easiest books you have ever read; but I can assure you that they are the most interesting.
     I know you're busy. But you will be even busier later on. Take my advice – don't wait. 
     The teachers cannot make you wise – much as they would like to – because these books are seldom read in school. You will have to help yourself, and here is one chance to do so. The world is going to belong to you, but it is a hard world. You will need to know everything you can to get along and to understand at least some of it. Through this Plan and the Great Ideas Program, the wisdom of the world lies open to you – just waiting for you to tap it. I envy you.
     More than fifty years since these words circulated, we have advanced to the place of wide-spread ignorance--a level of mass educational trendiness that is stupefying.  Of course the American family today is not sitting around reading the Great Books and discussing the Great ideas. Whatever family means today, if sitting around, it is likely absorbed in this season's sitcom. The need for what is quaint is strong in our common and ordinary day. The old-fashioned may indeed rescue us from our abyss of the drab, dull, cutting-edge, and up-to-date. 

Tuesday, July 23, 2013

Wisely Reading The Adages of Erasmus in Foolish Times

     Reading wisdom literature in any age is wise. Reading wise sayings in a foolish age will mark one quickly as a contrarian, but being wise where folly is as pervasive as oxygen is essential for survival. Of all the gifts that Desiderius Erasmus passed on to western civilization, his collection of adages, useful sayings, ranks among his least known, but most esteemed in his day. While not all adages are wise sayings, there is much wisdom in his labor. Even in Erasmus's day, Niccolo Sagundino, wrote about them, "I can hardly say what a sweet nectar as honey I sip from your delightful Adages, rich source of nectar as they are. What lovely flowers of every mind I gather thence like a honey-bee.... to their perusal I have devoted two hours a day."
     The Adages can be enjoyed along with Erasmus's Praise of Folly and Colloquies. The work demonstrates the unique genius of this prince of the humanists. It demonstrates his scholarship and imaginative wit as he reflects on a range of Greek and Roman sources. An additional value of the adages is that Erasmus often provides philosophical insight with social and political commentary. It is stunning how relevant many of the adages are to our own time. Maybe it should not surprise us that this is true because human nature, being what it is, will produce scenarios where leaders and citizens are acting out the same comedy of errors as our human ancestors. Here are just a handful of the more than 4,000. 
  • To drive out one nail with another (on how solving problems may occur when placed next to similar problems)
  • So many men, so many opinions (think "know it all pundits" and this one has modern application)
  • You write in water (before there was a Tweet, which gave new meaning to wasting time, this adage conveyed that very notion) 
  • You are building on the sand (the call to seriously consider where we place our hope and confidence)
  • The blind leading the blind (take virtually any political issue and this proverb comes alive)
  • One swallow does not a summer make (a rousing call for character formation)
  • To exact tribute from the dead (before the "death tax," an indictment against usury and taxation)
  • Time reveals all things (offering hope that even the follies of our moment will one day be revealed)
     Erasmus says that there are a number of things knowledge of proverbs provides but he highlights four things that knowledge of the adages may contribute to those who read and meditate on these maxims: "philosophy, persuasion, grace and charm in speaking, and understanding the best authors." To make the case that anyone seeking wisdom would indeed benefit from reading this work, here are just a few things that Erasmus says about two of the wisest words ever uttered, "Know Thyself" and "Nothing in Excess." In the various contexts of the phrase "know thyself," Erasmus infers this saying as a recommendation for "moderation and the middle state, and bids us not to pursue objects either too great for us or beneath us...to recognize our own blessings."

*All quotes taken from, The Adages of Erasmus Selected by William Barker. University of Toronto Press, 2001.


Saturday, July 20, 2013

Wrecked Upon The Reef of Justice: The Most Relevant Oresteia by Aeschylus


   I was talking with a friend a few days ago, and he asked me what I thought about a particular news story. He was surprised when I responded that I knew a good bit less than him, and he seemed even more surprised as I was describing with what he considered a high level of apathy. Despite my best efforts to persuade him that the most recent "news" event or political scandal about unlawful government actions toward its citizens, current wave of political  or social propaganda, government sideshow, national media silliness, or Presidential diversion was far less engaging and meaningless than the extremely engaging and meaningful Oresteia by Aeschylus. So, I urge you as I urged my friend, make a conscious decision to be a liberated citizen and step away from the noise and the confining distortions of this particular moment, and be free to think about important issues in an equally important manner. I guaranteed him that reading the Great Books will give him a way to look at the distortions, perversions, and social atrocities with eyes that truly see and ears that clearly hear. So, let me encourage you to read the Oresteia and make your way through these questions provided by Mortimer Adler.
I. Aeschylus’ Agamemnon, Choephoroe, and Eumenides

  • Was justice done to Orestes?
    • Did Orestes act justly?
      • Was Orestes just in killing his mother, avenging his father, obeying the command of Apollo, and/or killing Aegisthus?
    • Did Clytaemnestra act justly?
    • Was Clytaemnestra just in killing her husband, revenging the death of her daughter Iphigenia, and/or being unfaithful to her husband?
    • Did Apollo act justly in urging Orestes to kill Clytaemnestra?
    • Did Athena act justly in casting her vote for Orestes?
    • Did the Furies act justly?
    • Were the Furies just in pursuing Orestes, in not pursuing Electra or Clytaemnestra after she killed her husband, and/or in resting satisfied with the judgment of the Athenian court, as the result of Athena’s persuasion and flattery?
    • What if you substitute the word “justly” for “lawfully”?
    • Is lex talionis, the law of retribution and revenge, really a law?
    • Is human law placed above divine law?
    • In terms of what law are you judging the justice of the verdict?
  • What do you think of the court procedure?
    • Does the court follow the rules and customs that are used in British or American courts?
    • First of all, is the court duly constituted?
    • How can one decide what “duly constituted” would mean?
    • Is there any assurance that this was a fair jury?
  • Is the existence of law a good or an evil?
    • Are Agamemnon, Clytaemnestra, and Orestes better off because they live in a lawless condition, or anarchy?
    • Is there a sense in which men are freer in a civil society, with laws, than they are in a lawless condition?
    • Is that society best which has the most laws?
    • Is the best society halfway between the extremes of anarchy and regulating everything by laws?

Tuesday, January 22, 2013

A Few Modest Observations for One Against the Great Books

     A colleague in our Great Books program shared an article with me me over the recent Christmas break, and as I was buried in reading some of the Great Books and a few seasonal works, I was hard pressed to read this article. The article was published in First Things and entitled, Against Great Books Questioning Our Approach to the Western Canon. When I finally did get a chance to read it, I found several points of merit, a few points that I simply disagreed with and one common error with such arguments, but it is a major and recurring error when some address the Great Books.
    The Great Books may be a source of their own undoing (inherent contradictions across the canon). On the first point of agreement (which is also ultimately the main problem in the argument), I do agree that when read together there becomes a babel-like clamoring calling for assent to a particular truth and sometimes simultaneously calling for a denial of another claiming to offer truth. This has led James Schall (of whom I have the deepest admiration) and others to warn of the danger of relativism, which is a warning that needs to be sounded especially in this foundationaless age. However, the problem of contradictions and opposing worldviews ought not to trouble us for at least three reasons. Next to my bed I usually have five to seven books I'm reading at any given time. This does not count the other three to five on my desk, and the others scattered throughout my house, university office and home office. A setting any Hobbit would relish. If I paused and attempted to bring together, in some harmonious manner, the diverse genres, ideas, worldviews, and images the sheer mental cacophony would induce an aneurysm.
    Related to this is what many of us experience in our everyday lives. Unless you are blessed to live in a way that Wendell Berry lives (an author Professor Deneen seems to respect and maybe on his "humility encouraging" list) then it is likely that any given day between our internet and interstate traveling we are going to encounter this same fragmentation and conflict. Finally, Adler stated that not only would this tension happen when studying the Great Books, it is a good thing in the battle of truth claims. His assertion is found in"The Great Conversation Revisited" essay found within the skinny Great Conversation book. "It is mistakenly thought by many that the great books are recommended for reading and study because they are a repository of truth.  On all the fundamental subjects and ideas with which the great books deal, some truths will be found in them, but on these very same subjects and ideas, many more errors or falsities will be found there.  The authors not only contradict each other; they often are guilty of contradicting themselves.  No human work rises to the perfection of being devoid of logical flaws. On any subject being considered, the relation between truth and error is that of one to many.  The truth is always singular, while the errors it corrects are manifold....No truth is well understood until and unless all the errors it corrects are also understood and all the contradictions found are resolved.  It is in the context of a plurality of errors to be corrected and of contradictions to be resolved that the brilliance of the truth shines out and illuminates the scene." (p. 26, 27)
     Professor Deneen helpfully asserts that we should read "humble books" or "books that encourage humility." While I certainly agree that books that are humble or encourage humility should be on our reading lists, I have experienced that reading the Great Books has imposed a kind of humility on me. It is because these ideas, images, and words have changed human hearts and institutions that I am humbled by them. It is because when reading many of them my feeble mind is greatly taxed that I am humbled. It is when discussing them for the past fourteen years with children and geniuses that I am humbled by the insights of others as I grope for understanding. I completely agree with Professor Deneen that we do need to read humble books and the kinds of books that encouraged humility  and I would genuinely appreciate a list from the Professor. In the meantime, I'll get back to the task of reading, and leading others through the humbling project of understanding the Great Books.

Thursday, January 17, 2013

Why Ray Bradbury's Martian Chronicles Is a Great Book


     
     On numerous occasions, Mortimer Adler wrote about the criteria that was used to determine which books of all the books written in the West would be placed within The Great Books of the Western World collection.  Contrary to confusion and many misstatements; I've read over the years, Adler says it was essentially three criteria and they are as follows:
1) Contemporary significance - Even though historically valuable, these works address “issues, problems, or facets of human life that are of major concern to us today as well as at the time in which they were written.” While the work is within the genre of science fiction and fantasy, it really explores humane themes much as traditional fiction. In other words, change the setting from Mars to Montana and it still works as a literary masterpiece.
2) Rereadability - These are books “intended for the general reader that are worth reading carefully many times or studying over and over again...indefinitely rereadable for pleasure and profit.”
As I have confessed before in blogs and lectures, I re-read a number of Bradbury's works at specific times of the year as they seem fitting to the season. While The Martian Chronicles is not one part of a seasonal rotation, I have enjoyed this work more than once. Like his other "novels," The Martian Chronicles is rich enough in content and form (think Steinbeck's The Grapes of Wrath) and has enough meaningful ambiguity to sustain numerous readings and a enriching conversation with another who has read the work. For fans of this work, there is near universal agreement that the ending is that wonderful Bradburian twist that is a hallmark of his writing.
3) Extensive relevance and something of significance to say about a large number of the 102 great ideas of the thinking and writing done by the authors chosen.
Of the 102 Great Ideas Adler explored, The Martian Chronicles touches upon or explores in a meaningful manner the following: Angel, Animal, Astronomy and Cosmology, Beauty, Being, Cause, Chance, Change, Citizen, Courage, Custom and Convention, Democracy, Desire, Duty, Education, Emotion, Eternity, Evolution, Experience, Family, Fate, God, Good and Evil, Government, Habit, Happiness, History, Honor, Idea, Immortality, Infinity, Judgment, Justice, Knowledge, Labor, Language, Law, Liberty, Life and Death, Love, Man, Matter, Memory and Imagination, Metaphysics, Mind, Nature, Necessity and Contingency, One and Many, Opinion, Opposition, Philosophy, Physics, Pleasure and Pain, Poetry, Progress, Prudence, Punishment, Quality, Reasoning, Relation, Religion, Revolution, Rhetoric, Same and Other, Science, Sense, Sign and Symbol, Sin, Slavery, Soul, Space, Temperance, Theology, Time, Truth, Tyranny and Despotism, Universal and Particular, Virtue and Vice, War and Peace, Will, Wisdom, and World.
Additionally, Adler said that the list of Great Books needed to be regularly reevaluated. With this in mind, I hope that I have made the case for including this novel by Ray Bradbury and including it in the open and extended list Adler proposed.
As with other Bradbury writings, there is often an earlier life or version before the published date. While The Martian Chronicles was published in 1950 (63 years ago and still in print), many of the stories were written and published in various sources in the 1940s. Some scholars contend that The Martian Chronicles can, and actually should, be read in thematic relation with Bradbury's Illinois trilogy Something Wicked This Way ComesDandelion Wine, and Farewell Summer.  
     The NBC mini-series adaptation in 1979 was sadly flat despite some solid performances and a few great moments. The graphic novel published in 2011, and wonderfully illustrated by Dennis Calero, is really quite good. Additionally, there are plans underway (we know how this often goes) to remake The Martian Chronicles into a major film.
     Whether read as a classic sci-fi tale or a moralistic glimpse into the human condition, this is a novel that should be clustered with the greatest of science fiction and fantasy literature. It is substantially richer in form than most of what passes for sci-fi and fantasy literature. In addition to being a masterfully crafted exploration of numerous humane themes, it is delightful, at times, but ultimately a tale about the glories and pitfalls of being human and the gift of life.

NEXT BLOG: On Reading Philip Rieff or How Tough Sociology Can Help Us Understand Us